how to draw what you see
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I bought this book because I was struggling with perspective, especially for built forms. The book starts with exercises on how to breakup a scene or object into its underlying shapes, and even the horizontal, vertical, and curved lines that make up those shapes. The book then moves on to capturing various textures (woods, brick, paper, etc.), then sketching landscapes, capturing the human being course, then details of v
This book is great for a beginning creative person and useful to all as our skills develop.I bought this book considering I was struggling with perspective, especially for built forms. The book starts with exercises on how to breakdown a scene or object into its underlying shapes, and even the horizontal, vertical, and curved lines that make up those shapes. The volume so moves on to capturing various textures (forest, brick, paper, etc.), then sketching landscapes, capturing the homo form, then details of various 'difficult' trunk parts (easily, faces, etc.). The volume as well discusses cartoon/painting outdoors (which I actually enjoying) and working with different media. Each stage builds on and draws from the work washed at previous stages then you catamenia nicely to more difficult forms without feeling like it is as well hard.
Reyna encourages practising, suggesting different exercises to try to reinforce the lessons learned. He also shows how to apply your pencil to cheque line directions, and how to use a viewfinder to frame out scenes. Earlier reading this book I thought those techniques were 'cheating'; I take since discovered that if it is your work, yous can use whatsoever techniques y'all like and that even seasoned artists utilize these tricks, but it was from Reyna that both are adept practice.
Overall, a wonderful book to have on the shelf (and to exist used) by any artist.
...more1 thing that I did take away from the book was regarding drawing straight lines which I had never really thought about earlier. That was an interesting lesson. Merely I never could become past the third or fourth because I didn't understand what I was "supposed" to practise.
I institute the "lessons" incredibly hard to follow and while I understand that the writer wanted you to describe everyday objects, presumably because that's what you see, the actual objects were extremely tedious.Ane thing that I did accept away from the book was regarding cartoon direct lines which I had never really thought almost earlier. That was an interesting lesson. But I never could get past the tertiary or fourth because I didn't understand what I was "supposed" to do.
...morePart One of this book covers xix lessons which are progressive projects that build skill and confidence. He covered drawing basic shapes, perspective, shading, tones, cartoon still life (indoors), drawing outdoors (which covered the differences from still life more than than how to describe copse, etc.), and drawing people and faces. I wasn't every bit impressed with the instruction in the cartoon people section, simply it certainly gave some nuts to beginning from.
Part Two gave the basics on how to utilize watercolor, opaque watercolor, acrylic, and ink. He gives projects using black, greys, and white paints. This section had less education, but I think it's mainly intended to introduce the idea of "drawing" using other media.
Overall, I felt that this book was very helpful and adult my skill at creating realistic-looking drawings. I'd recommend it to beginners who wish to learn this skill.
...moreI similar how this helps me under stand up techniques in drawing make it realistic. This shows me where to improve me art from where I am to where I demand to go.
I wish I could play with all the different mediums the author mentions, but even if I could afford them all, I don't recall I could mess with ink wash in my current living situation. (I'1000 reluctant to even use char
I didn't larn a great deal more from this book than I already knew. No doubt it would be more useful to a beginner, and information technology was nice to take some of my basic principles reinforced, but -- non to exist arrogant or annihilation -- I do know how to draw a cube. Not to say I don't need exercise...I wish I could play with all the different mediums the author mentions, but even if I could afford them all, I don't call up I could mess with ink wash in my current living situation. (I'm reluctant to fifty-fifty use charcoal because it'south so easy to ruin my clothes and carpet with it. Yeah, it comes off, but non ALL of information technology -- certainly not all of the compressed stuff.) I promise to attend an "Intro to Different Mediums" course at a nearby art center to make up for this.
I had to laugh during the composition sections, considering the compositions I liked all-time were the ones he pointed out equally "bad." Well, nosotros'll hope there'south some flex in composition, or I'thousand doomed as an artist. ^^
Overall not a bad book; a little longwinded in the text, but certainly better than the awful "How to Draw Cartoons" blazon of book y'all'll find at your local library.
...more thanA skillful starter for drawing/ painting. I used to draw/ pigment a lot equally a kid. Now wanting to pick information technology up again and to larn information technology properly. I intend to exclusively use sketching apps on tablet computers now, but that shouldn't make a difference every bit far as learning from this book goes.
My Christmas nowadays this yr :)A practiced starter for drawing/ painting. I used to describe/ pigment a lot every bit a kid. Now wanting to option it up once again and to learn it properly. I intend to exclusively use sketching apps on tablet computers at present, just that shouldn't brand a departure as far equally learning from this book goes.
...more thanNot bad reference volume. But read thrugh didn't follow the excercises. Will come back and piece of work with the book
...more
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